The Byzantine Aesthetic: The Apse Mosaics of Justinian and Theodora
The Apse Mosaics of Justinian and Theodora, San Vitale, Ravenna, Italy, ca. 547 display the new Byzantine aesthetic.
The apse mosaics of Justinian and Theodora in the famed San Vitale Church in Ravenna, Italy, showcase a dazzling display of the new Byzantine aesthetic from ca. 547.
This new aesthetic is characterized by gold-dominant colors, columnar forms, and concentric curved motifs. Gold is the connecting element of the mosaic and serves to link Justinian and Theodora in a cosmic union, indicating their closeness to divine power. The abundance of curved forms in the background mosaic gives the mosaics dynamism and movement.
Meanwhile, pointed arches extend off the mosaics, representing the grandeur of imperial power and the parallels between the earthly world and the heavenly realms. These features highlight the importance of Byzantine art during this period. The apse mosaics of Justinian and Theodora successfully evoked the powerful and luxurious presence of the Byzantine Empire.
What are the main characteristics of the new Byzantine aesthetic displayed in the apse mosaics of Justinian and Theodora? The main characteristics of the new Byzantine aesthetic displayed in the apse mosaics of Justinian and Theodora include gold-dominant colors, columnar forms, concentric curved motifs, and the use of pointed arches to represent imperial power.